
Note, however, that not all players offer all chord variations. The reason three sizes of chord library are available is that the bigger sizes take longer to load and eat up about three times as much RAM as the economy versions, so if you don't need all those fancy chords, it's easier to load the smaller set. Each 'player' can be loaded up with one of three sizes of chord library, the simplest restricting chord types to two or three variations such as major, minor and seventh while the larger libraries provide more exotic chord types. Once installed, Virtual Guitarist gives you 25 'players' or styles, divided between acoustic and electric guitars - in fact, the two guitar types appear as different plug‑ins. Initial versions had installation problems with Logic where Virtual Guitarist sometimes couldn't locate its own sound files, but a revised version has now fixed this bug. These library files must be copied over to a Virtual Guitarist folder after installation and when the program is first run, a path to these files must be set up.

To use the largest chord libraries, which provide more chord type variations, I had to increase Logic's memory allocation to over 300MB.īecause of the large sample collection needed to make it work, it comes on three CD‑ROMs and takes up around 1.6GB of hard drive space.

Both need plenty of RAM and 512MB is recommended, although you can get away with less if you stick to the smaller chord libraries.
#Steinberg virtual guitarist 2 kickass Pc#
Mac users need to be running OS 9 or above while PC users need Windows 98, ME, 2000 or XP.
#Steinberg virtual guitarist 2 kickass software#
This allows the tempo to be varied without changing the pitch of the samples, much as with REX or Groove Control drum loops, and it works surprisingly well over a reasonable tempo range, though setting a tempo much below 70bpm is not recommended for the most natural results.Īvailable for both Mac and PC, Virtual Guitarist functions as a conventional VST Instrument, enabling it to be used from within any VST 2‑compliant host software package. To achieve this seemingly impossible task, the program contains a vast library of samples, but the clever part is that a technique (which, I'm guessing, is not dissimilar to Recycle) has been employed to break up the recorded rhythm parts into individual strums. What's more, there are rhythmic variations that can be introduced very easily to make the part seem even more 'real'.


In concept, Virtual Guitarist lets you choose a rhythm style, either acoustic or electric, which follows the chords of your composition over a reasonably wide tempo range. Steinberg/Wizoo's Virtual Guitarist offers a new alternative for the creation of rhythm guitar parts, though it hasn't evolved to the point that it can take solos yet. Samples of complete phrases fare somewhat better, but then you have to work with whatever key and tempo the phrases offer rather than being able to create a part to fit your composition. One of the most difficult aspects of MIDI sequencing is without doubt the programming of realistic guitar parts - even the best multisample of an acoustic or electric guitar has a habit of ending up sounding like an undistinguished electric piano. This innovative VST Instrument from Steinberg and Wizoo aims to take the donkey work out of producing realistic sequenced guitar parts.
